神话电影在线

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。著名的恶作剧专家马克精心策划了一场恶作剧。原本一切都在计划之内，谁知事到临头突然生变，马克转眼间就变成了全境通缉的罪犯，背负着抢劫和谋杀两大罪名。老练的警探布兰德曼和女警维多利亚组成搭档，共同侦察这个案件。马克的女友朱莉坚信他是清白的，对他不离不弃，但马克为了朱莉的安全着想，让朱莉待在朋友的家里，而他自己与朋友们联手，誓要调查出案件的真相，找出真正的凶手。。所谓贫穷限制了想象力，超级富豪的生活是我们平日里无法想象的。但在”有钱人生”纪录片中，将会有和亿万富翁们息息相关的各行各业人士为我们揭开他们的生活。在这个动辄就是六七位数的世界里，他们有顶尖的玩具，恢弘的宫殿,他们一掷千金，尽享奢华。然而在光鲜外表的背后，他们也有和普通人一样的烦恼，又或是只属于上层阶级的烦恼——钱多到花不完要怎么办？不知道送伴侣什么礼物因为对方已经拥有一切了又该如何？还有无尽的恐惧缠绕着他们。超级富豪们开心吗，也许只有他们自己知道答案。。