善良的男人西瓜

电影讲述在同志备受歧视的奥地利军营，一名下士感受到的性向惶恐：从开场虚实折射的“吞械”梦魇，到浴间同僚的挑衅欺凌，再到森林对峙时的情绪失控，都涌动着触目惊心的情感伤痛。全片的运镜和音效尤其到位，剧情虽简约但旨意深远，最后驶向未知人生的澹愁钢琴声给人以久久回味。接受自己终究是门艰深课程，要用一生来修习得证。2012年5月17日国际不再恐同日（IDAHO）特别放映。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。Madeleine steals a string of pearls in Paris and uses US engineer Tom, who is driving on his vacation to spain, to get the pearls out of France, but getting the pearls, back from him prooves to be difficult without falling in love.。