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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。又一个奥运年如期而至，优酷《这！就是灌篮6·村BA季》再度发力，进阶成为国内首档记录村镇篮球运动员成长的热血竞技真人秀，赛制、模式全新升级，希望以更贴近全民体育的形式，带领观众回归对篮球最本质的热爱。本季节目将特别引入“中国村BA球星选拔计划”，旨在通过全国篮球强村的联合海选，选拔出具有潜力的村级篮球明星。各路来自乡村的篮球“异能”人士强势集结，从未经过正规训练的村民球员将首次接受职业化的集训，经历一系列严苛的试炼和排位淘汰挑战。最终，从众多参赛者中脱颖而出的12位球员，将组成“中国村BA明星队”，直面国际强队证明自己，用篮球书写村BA的奇迹，诠释平凡的热爱。。