莫斯科没有眼泪

TNT正式宣布预订新剧《Murder in the First》，订数为10集。该剧主要描述发生在旧金山的神秘谋杀案。一起因毒瘾而引发的谋杀案看似普通，但随后的警方调查、疑犯逮捕和庭审过程却引出更多秘密。旧金山警署命案侦探Terry Seagrave（Taye Diggs）和Hildy Mulligan（Kathleen Robertson）在承办该案过程中发现受害人与硅谷神童Erich Blunt（Tom Felton）存在某种可疑的关联。Blunt是一个狂妄自信的科技天才，年纪轻轻就已经取得非凡成就，目前担任一家高科技公司的首席执行官。对Blunt来说这无疑是个坏消息——因为他正准备让自己的公司上市。与此同时，一名软件工程师状告Blunt剽窃了他为一种革命性的全息系统撰写的程序代码。和Terry、Hildy一起办案的专案组成员包括：以哲学家自居的...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。