中央电视台第一频道

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。岳飞是南宋抗金名将，是我国家喻户晓的民族英雄，以其可歌可泣的丰功伟业铸就了其垂范千古的人格丰碑，其精忠报国的爱国精神、敬事父母的孝道思想和以民族大义为重的品质成为中华民族世代承传的文化魂魄。在民族复兴、中华振兴的国家发展进程中，我们尤需继承和发扬岳飞作为民族文化典范所体现出的以国家兴衰为己任而积极入世的无私无畏精神。。